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Nō Kōtirana o Ingarangi ōku tīpuna.
I tae mai okū tīpuna ki Aotearoa i te tau 1869 & 1965.
Ko Eric & Betty Arnott rāua ko Wallis & Belle Wright ōku kaumatua.
I tipu ake au ki Te Hoiere.
E noho ana au ki Waikirikiri.
Ko tēnei taku mihi ki ngā tāngata whenua o te rohe nei.
Ka mihi hoki au ki ngā tohu o te rohe nei.
Nō reira, tēnā koutou katoa.
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Juliet lives on rented land 'acquired' via Kemps Purchase from Ngāi Tūāhuriri. And grew up on land in Te Hoiere Pelorus area 'acquired' from Ngāti Kuia.
Image: Kjetil Suleng
Tāhuhu tangata CV
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This work explores experiences of resourcefulness as a means of reminding us of the interconnectedness of life here + now. Resourcefulness requires us to engage with our inner resources whilst strengthening our capacity to be present with the life around us, and in this ongoing exchange we experience the inseparable nature of life. Through the lens of resourcefulness the relationship between human and beyond-human wellbeing is inseparable, so when we care for earth we cannot help but care for ourselves. How we resource ourselves seems to relate to this capacity to be in the here + now with that we are inseparably connected with. Feeling resourced involves feeling soothed and supported here + now, and is the antithesis to the drive for more more more which fuels unnecessary harm to life via consumption and waste.
This work aims to address the pervasive yet seemingly covert impact of the false notion of separation, i.e. that there is a dividing line between what is inside + out of: environment, of human, life beyond human, of individual and community etc. The artifice involved in viewing human/environment/resource as separate (Phillips et al. 2022; Jeffrey. 2022; Ives et.al. 2018, Panelli & Tipa. 2007) is part of Imperialism and Colonialism (Tuhiwai Smith, 2012) and is based on a sense of human superiority (de Oliveira, 2021). These views conflict with indigenous realities and have thus caused pervasive harm (Tuhiwai Smith, 2012, de Oliveira, 2021).
This notion of separation appears a key factor in the failed pursuit of material resource to soothe the ever-increasing drive of our ‘reward’ circuitry for more more more, and the compulsion to soothe the ever-increasing discomfort of our overactive ‘threat’ response. Working in a health system it is clear that material consumption is not successful in meeting needs for wellbeing, but it is successful in increasing the presence of addiction, disconnection, instant gratification, reduced tolerance and attention amongst many of us, and in causing significant change to the biosphere. Even so it seems challenging to admit that this heavily relied upon strategy of consumption isn’t working.
So this work considers what truly resources us, especially as pākehā raised in a culture of colonisation as the norm. What does it mean to face this false separation and challenge this myth as a failed strategy of our ancestors?
In this work, the artificial human-made separation between humans & Earth is viewed as a separation so fundamentally flawed it is inherently dissociative. The American Psychiatric Association (2000) defines clinical dissociation as a “disruption in the usually integrated functions of consciousness, memory, identity, or perception. Dissociative symptoms include derealization/depersonalization, absorption, and amnesia. These experiences can cause a loss of control over mental processes, including memory and attention.” which this could be argued aptly describes the depth of disconnection between human & the planet on which we depend.
Ecologist Timothy Morton (2017) in Humankind named this dissociation ‘The Severing’ to describe “a foundational, traumatic fissure between, to put it in stark Lacunian terms, reality (the human-correlated world) and the real (ecological symbiosis of human and nonhuman parts of the biosphere).”
The root word ‘resource’ originates from the Latin resurgere, meaning to “rise again” (Merriam-Webster, n.d.). This origin seems to refer to Morton’s notion of “the real” in it’s attribution of life, i.e. that a resource has within it the potential to ‘rise again’ and thus holds aliveness, life force or mauri. This appears in stark contrast to the common yet inaccurate usage of resource as “a natural source of wealth or revenue” (Merriam-Webster Dictionary, n.d.) which defines the resource by it’s value or utility rather than it’s aliveness.
It is intended that this view questions colonial & imperial othering of material resources as disposable matter for consumption. This is especially urgent given “the most pressing global challenge of climate change driven by material consumption patterns…will require new habits and behaviours to be taken up by whole populations, particularly those that encourage non-material consumption over material goods” (Pretty & Barton, 2020, p.16).
There are a multitude of other ways of viewing resourcefulness, including Tim Hayward’s (2006) description of resourcefulness as “an “inner” quality whose “outward” manifestation is particularly relevant in an ecological context. If a major vice of environmentally harmful practices is the profligate use of resources, and rendering into ‘mere resources’ items which should be considered to be of inherent value, then the countervailing virtue can be characterised as “resourcefulness”. Resourcefulness involves the development and exercise of human capacities, and thus fulfils part of the substance of a good human life; it also eases pressure on finite natural phenomena that are needed as resources in (roughly) inverse proportion to resourcefulness.’ (p.442).
Resourcefulness has also long been considered a set of psychological qualities (Meichenbaum, 1977; Rosenbaum, M. & Jaffe, Y. 1983; Rossetti & Zlomke, 2021) involving personal and social resourcefulness (Zauszniewski, 2016). It is also “a process-based, place-based, and relational approach to community health promotion” (Peters et al. 2022 p.5) and alternative to notions of community resilience (Driscoll Derickson, 2016; Carr, & Gibson, 2016; MacKinnon & Driscoll Derickson, 2013).
On this basis, this body of work is concerned with questioning how we resource ourselves here + now and with what drives the compulsion for more more more that involves separating inside + out to overlook, avoid or ‘other’ that which we do not accept or value.
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More more more The instinctual anticipatory drive and future-orientation, which untempered means we never feel we have enough. Sparked by dopamine this drive rewards us when we consume, have what others have, compete and compare. This hard-wired drive is an evolutionary hangover in part to ensure survival by avoiding scarcity and the rejection of not belonging. Not belonging or being accepted was life-threatening amongst our ancient ancestors and still actually is for many people marginalised by dominant cultures. This compulsion of more more more or not having or being enough, confuses our sense of identity so that we might feel who we are is what we have. This drive also impacts our capacity to be in the here + now, to sense and be present with what we do have. This compulsion is addiction in many guises, some more socially acceptable than others. So conditioned by this drive it is uncomfortable to pause as this often involves judging what we have or are, and so the comfort of consumption continues.
Here + Now Right here, right now, the reality experienced via our human senses inside + out: sight, smell, taste, touch/pressure, sound, interoception of all bodily sensations, the vestibular system, proprioception, and how this is experienced is shaped by our past. “Here + Now molecules” or “H+Ns” (serotonin, oxytocin, endorphins and endocannabanoids) pause our anticipatory drive and future-orientation by suppressing dopamine (Lieberman + Long, 2018. p.16). Although H+Ns circuits and dopamine circuitry can act simultaneously, mostly they don’t, it is one or the other: here + now or more more more
Inside + out Our identification with ‘what is me’ and ‘what isn’t me’, i.e. that what is inside is only me, and what is outside is ‘other’. Yet really there is always just a ‘we’ as even though our skin provides a boundary and we can feel separate, we are just part of a constantly responsive living world. Our sense of separateness has developed via social conditioning, when in reality our bodies are made up of the food we eat and the air we breathe, which comes from plant life reliant on soil or earth, from all the life that orchestrates this. We are living matter or life inseparable from other life, all alive together. Much of the constant interaction inside + out occurs without our awareness. Our capacity to seperate ourselves from this aliveness, especially in what we consume, is a delusion imposed via the superiority of Imperialism so that we ‘other’ and become superior to much of life. This othering enabled industry to be built on moremoremore and normalisedindividualism. These Imperial norms fuelled Colonialism which marginalised, pathologised, oppressed and criminalised being in the here+now with the inseparable reality of life for many indigenous peoples.
Resource "Etymology: “French ressource, from Old French ressourse relief, resource, from resourdre to relieve, literally, to rise again, from Latin resurgere.'" Merriam Webster Dictionary (MWD).
This body of work involves usage of resource as a re-clarification of reality in the here + now where inside+out are always interconnected. Whatever one might call ‘a resource’ in a physical sense, it is living matter or life, regardless of whether it is deemed to be ‘alive’ or not e.g. a dead rat is full of many alive constituent parts, just as is a rock or oil. Living matter is always a part of this living earth one way or another. Often in the pursuit of more more more resources are not seen as part of this living world, they are instead ascribed an unnatural seperate status outside of life & pursued with singular focus that ignores the fact there is no inside + out in the living system of which they/we are a part.
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American Psychiatric Association. Diagnostic and Statistical Manual of Mental Disorders. 4th edition, Text Revision American Psychiatric Press; Washington, D.C.: 2000.
Bennett, J. (2010) Vibrant Matter: A Political Ecology of Things, Durham: Duke University Press.
Carr, C., & Gibson, C. (2016). Geographies of making. Progress in Human Geography, 40(3), 297–315. https://doi.org/10.1177/0309132515578775
de Oliveira, V. M. (2021). Hospicing Modernity: Facing Humanity’s Wrongs and the Implications for Social Activism. North Atlantic Books. https://books.google.co.nz/books?id=MFeXzQEACAAJ
Driscoll Derickson,K. (2016) ‘Resilience is Not Enough,’ City, 20, no. 1: 164
Gough, N. (2016). Postparadigmatic materialisms: A “new movement of thought” for outdoor environmental education research? Journal of Outdoor and Environmental Education, 19(2), 51–65. https://doi.org/10.1007/BF03400994
Hayward, T. (2006) ‘Ecological Citizenship: Justice, Rights and the Virtue of Resourcefulness,’ Environmental Politics, 15, no. 3: 442.
Ives, C. D., Abson, D. J., von Wehrden, H., Dorninger, C., Klaniecki, K., & Fischer, J. (2018). Reconnecting with nature for sustainability. Sustainability Science, 13(5), 1389–1397. https://doi.org/10.1007/s11625-018-0542-9
Jeffery, H. (2022). Nature - nurturing health and enhancing sustainability through adventure therapy practices. Contemporary Research Topics, 17.
Lieberman, D. Z., & Long M. E. 2018. The Molecule of More. Dallas, TX: BenBella Books, Inc.
MacKinnon, D. & Driscoll Derickson, K. (2013) ‘From Resilience to Resourcefulness: A Critique of Resilience Policy and Activism,’ Progress in Human Geography, 264.
Mannion, G. (2020). Re-assembling environmental and sustainability education: Orientations from New Materialism. Environmental Education Research, 26(9/10), 1353–1372. https://doi.org/10.1080/13504622.2018.1536926
Meichenbaum, D. (1977). Stress inoculation. In D. Meichenbaum (Ed.), Cognitivebehavior modification: An integrative approach (pp. 143-182). New York, NY: Plenum Press.
Merriam-Webster.(n.d.) Resource. In Merriam-Webster.com dictionary. Retrieved July 1 2023 from https://www.merriam-webster.com/dictionary/resource
Morton, T. (2017). Humankind: Solidarity with nonhuman people. London ; Brooklyn, NY : Verso, 2017.
Panelli, R., & Tipa, G. (2007). Placing well-being: A Māori case study of cultural and environmental specificity. EcoHealth Journal, 4(4), 445-460.
Pretty, J. & Barton, J. (2020). Nature-Based Interventions and Mind–Body Interventions: Saving Public Health Costs Whilst Increasing Life Satisfaction and Happiness. International Journal of Environmental Research and Public Health, 17(21), 7769. https://doi.org/10.3390/ijerph17217769
Rosenbaum, M. & Jaffe, Y.(1983) ‘Learned Helplessness: The Role of Individual Differences in Learned Resourcefulness,’ British Journal of Social Psychology, 22, no. 3 : 215.
Rossetti, K. G., & Zlomke, K. R. (2021). Resourcefulness revisited: Further psychometric evaluation of resourcefulness scale. Stress & Health: Journal of the International Society for the Investigation of Stress, 37(4), 631–639. https://doi.org/10.1002/smi.302
Tuhiwai Smith, L., (2012). Decolonizing methodologies : research and indigenous peoples. London ; New York : Dunedin : New York :Zed Books ; University of Otago Press. Second edition.
Zauszniewski, J. A. (2016). Resourcefulness. Western Journal of Nursing Research, 38(12), 1551–1553. https://doi.org/10.1177/0193945916665079
Past work
These projects came to be, only because of many others and our shared resourcefulness.
Waste-wood Furniture
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Rekindle first began in Tāmaki Makaurau + then moved to Ōtautahi in 2012. A furniture workshop was set-up & salvage processes in post-earthquake red-zone where demolition took time to figure out as this was fast, wasteful and happening at scale. Made & sold a range of furniture & offcut products, & set-up the Rekindle Shared Studio in collaboration with Shop Eight, & the Rekindle shop in New Regent Street.
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Supporters: Auckland City Council, Creative New Zealand, Christchurch City Council, Sustainable Initiatives Fund Trust.
Image: Laura Armstrong
Whole House Reuse
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Whole House Reuse involved the entire material of a single home, otherwise destined for waste, being deconstructed and transformed into beautiful and purposeful artefacts. Founded by Juliet Arnott and catalysed together with Kate McIntyre, this project took over 3 years and resulted in nearly 400 objects being created by reusing every single piece of the Buxton's home at 19 Admirals Way, a 1920’s weatherboard home in New Brighton, Christchurch, which was scheduled for demolition in 2013. This project demonstrates the power of shared resourcefulness; that change can happen when people work together to creatively address undervalued resources.
Image of Patrick Fitzgerald's scaled model of the Buxton's home made with layers of wallpaper from the home which he laminated into card.
Image by: Chris Gardener
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Supporters: Creative New Zealand, Sustainable Initiatives Fund Trust, Canterbury Museum, Isaac Theatre Royal, Kilmarnock Enterprises, Christchurch Earthquake Recovery Authority, UC Fine Arts, Jamon, Christchurch City Council, City Gallery Wellington, The Interislander, Conroy Removals, Pics Peanut Butter, Resene, Canterbury Heating, Trubet, PEEEP Trust, Cavell Leitch Law & the Free Theatre, and hundreds of volunteers.
Auckland Design Series
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Our pop-up shop on Auckland's waterfront in December 2014, the fit-out made from waste exhibition panels, carpet and ply, in collaboration with Dragonbox Design.
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Supporters: Auckland Council, Dragonbox Creative, Yealands Wines, Allpress gallery.
Clark Bardsley Design, Dryburgh Pottery Studio, Edward Fuller, Emily O'Hara, lain Davies, Kennedv Brown, Leon Kipa, Lovenotes, Mushama & Me, MYDEERFOX, Paul Dyer, Ron Crummer, Steven Park, Trestle Union, Ben Galloway, Julia Holderness, Sadra Saffari.
Image: Karen Ishiguro.
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In Resource: Rise Again five professional design teams focused their skills on commercial waste to see what change design can effect amidst this mass of waste streams.
In 2016/2017 at the time of this project, there was no requirement by central government for businesses to record the quantities of waste they disposed to landfill. Thus this project asked designers to gain some sense of the scale and context of disposal, and explore what it might take to intercept this waste with a creative response.
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Supporters: Auckland Council, Creative New Zealand.
Image: Laura Armstrong
Resource: Rise Again
Zero Waste Ōtautahi
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Resourcefulness & Zero Waste at FESTA 2016.
Architecture students from Ara designed and built a temporary structure from abundant local hazel sticks, string, discarded banners from the retired 'Ellerslie Flower Show' and a sprinkling of lights. This circular structure housed our 'Zero Waste Ōtautahi' village for the festival weekend. Over 16,000 visitors came to the site to join us in considering what it might means to act from a feeling of 'having what we need'.
"FESTA emerged in Christchurch, New Zealand as a collective response to the extraordinary circumstances of a natural disaster. As a place-based (and now biennial) weekend-long festival of architecture and urbanism it continues to seek and find relevance to that place, its people, and to all involved in the event (participants, audience, funders and supporters) as the extraordinary fades into a more ordered and ordinary existence." Dr Jessica Halliday, founder of FESTA, 2017.
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Supporters: Creative New Zealand, Sustainable Initiatives Fund Trust, Canterbury Museum, Isaac Theatre Royal, Kilmarnock Enterprises, Christchurch Earthquake Recovery Authority, UC Fine Arts, Jamon, Christchurch City Council, City Gallery Wellington, The Interislander, Conroy Removals, Pics Peanut Butter, Resene, Canterbury Heating, Trubet, PEEEP Trust, Cavell Leitch Law & the Free Theatre, and hundreds of volunteers.
Image: Chris Gardener
Post-quake waste minimisation
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For 3 months I worked along with other members of Zero Waste Network intensively with the team at Innovative Waste in Kaikōura to promote deconstruction over wasteful demolition, after the earthquake isolated their rural town and put their already near full landfill under pressure. Together with ECan, Worksafe and the Kaikōura District Council we produced a resource to guide building owners towards deconstruction if possible. We also completed a successful application to MFE for funding to help manage this challenging situation.
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Supporters: Auckland Council, Dragonbox Creative, Yealands Wines, Allpress gallery.
Clark Bardsley Design, Dryburgh Pottery Studio, Edward Fuller, Emily O'Hara, lain Davies, Kennedv Brown, Leon Kipa, Lovenotes, Mushama & Me, MYDEERFOX, Paul Dyer, Ron Crummer, Steven Park, Trestle Union, Ben Galloway, Julia Holderness, Sadra Saffari.
Image: Karen Ishiguro.
Resourceful Ōtautahi workshop programme
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Launch of Resourceful Ōtautahi with an inner city Resourceful Skills Workshop Pop-Up at 100 Peterborough Street, opposite the Peterborough Street Library. And we later opened a workshop at Ferrymead Heritage Park.
This image is of a group practicing tī kōuka string making.
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Supporters: Creative New Zealand, Christchurch City Council, Life in Vacant Spaces, Ferrymead Heritage Park.
Brandenburg Coppice workshop programme
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A workshop programme out in the Brandenburg Coppice across April & May 2018. It has been a wonderful time with new craftspeople leaving with smiles, satisfaction and a spoon or stool made from timber felled on the Lincoln University Campus. We've had people carving from age 5 to age 75.
These are a class of second year Landscape Architecture students after their day of greenwood stool making.
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Supporters: Te Whare Wānaka o Aoraki Lincoln University, Selwyn District Council, Creative Communities & Creative New Zealand.
Image is of a class of second year Landscape Architecture students after their day of greenwood stool making with me.
Resourceful Skills & Craft Opportunities programme
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Opened a public workshop 7 days per week at Te Matatiki Toi Ora Arts Centre. This involved offering the Resourceful Skills programme for the public, and the Craft Opportunities programme to address barriers to access to our workshops. This provides free workshops for 'Community Service Card' holders and for those being supported by local NGOs. Practitioners with resourceful object-making practices were offered residencies. A group of volunteers helped run the space at other times.
This image is of a group of tamariki & parents learning spoon carving.
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Supporters: Creative New Zealand, Christchurch City Council, Life in Vacant Spaces, Te Matatiki Toi Ora Arts Centre.
Necessary Traditions festival
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The inaugural Necessary Traditions festival at the Arts Centre, where over 40 resourceful craft practitioners shared their skills & practice with the public.
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Supporters: Creative New Zealand, Sustainable Initiatives Fund Trust, Canterbury Museum, Isaac Theatre Royal, Kilmarnock Enterprises, Christchurch Earthquake Recovery Authority, UC Fine Arts, Jamon, Christchurch City Council, City Gallery Wellington, The Interislander, Conroy Removals, Pics Peanut Butter, Resene, Canterbury Heating, Trubet, PEEEP Trust, Cavell Leitch Law & the Free Theatre, and hundreds of volunteers.
Image: Chris Gardener
Resourceful Ōtautahi Walking Tours
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Resourceful Ōtautahi Walking Tours via a partnership with Planeterra & G Adventures. This gave international visitors to Ōtautahi an experience of resourcefulness told through the history of Rekindle's work & examples of other resourceful aspects of the rebuilding city. This raised funds to subsidise the workshop programme.
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Supporters: Planeterra & G Adventures.
Waiata ki te wai Songs for Water with Yo-Yo Ma
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An event co-directed with Kerepeti Paraone (Kāi Tahu, Kāti Māmoe, Waitaha, Ngāti Kahungunu, Ngāti Hine) with Yo-Yo Ma who performed on the banks of the Ōtākaro with local kairaranga, kaiwhakatangitangi & ringapuoro. Event produced by Te Pūtahi – Christchurch centre for architecture and city-making.
Image by Johnny Knopp.
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Supporters: Te Puni Kōkiri, Christchurch NZ, Te Pūtahi – Christchurch centre for architecture and city-making, Tier One events.
Image of Yo-Yo Ma performing alongside Marlon Williams (Kāi Tahu, Ngāitai), Aporonia Arahanga (Kāi Tahu, Te Arawa, Ngā Rauru).
Image: Johnny Knopp
Resourceful Waikirikiri
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A subsidised Resourceful craft workshop programme for Selwyn District Council delivered in libraries around the area.
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Supporters: Creative New Zealand, Selwyn District Council.
Rekindle Charitable Trust established
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With support from Steven Moe, Jessica Halliday, Hannah Wilson-Black and others, this charitable trust was established to continue the kaupapa of resourcefulness.
This allowed me to regroup and focus on my own practice.
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Publications
Essay: 'Why the big pile of rubble in a forest?’
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Foreword by Helen Clark, with 55 written essays, 39 visual essays.
Edited by Barnaby Bennett, James Dann, Emma Johnson, Ryan Reynolds
Published by Freerange Press:
"New Zealand has to rebuild the majority of its second-largest city after a devastating series of earthquakes – a unique challenge for a developed country in the twenty-first century.
Once in Lifetime: City-building after Disaster in Christchurch offers the first substantial critique of the Government’s recovery plan, presents alternative approaches to city-building and archives a vital and extraordinary time.
It features photo and written essays from journalists, economists, designers, academics, politicians, artists, publicans and more. Once in a Lifetime presents a range of national and international perspectives on city-building and post-disaster urban recovery."
This book is still available via Freerange Press.
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Freerange Press is a NZ based publisher.
Since 2011, our books have addressed the fascinating and difficult context of post-quake Christchurch, looked at journalism, food and death in Aotearoa, and explored a variety of topics with our flagship journal, Freerange. Our current series, Radical Futures, looks at pressing future challenges.
Freerange publications have involved contributors from around 30 different countries, with over 200 people from a wide variety of disciplines. We believe in interdisciplinary collaboration.
Whole House Reuse: Deconstruction
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As part of celebrating the home in 2014 Kate McIntyre & I published ‘Whole House Reuse: Deconstruction’, designed by Matthew Galloway.
The book celebrated the life of the home, and the Buxton family who lived there when it was condemned to what would have otherwise been a hasty demolition, crushed by a digger and into a truck to the large pile at Burwood which later became landfill.
The photographic essay of Guy Frederick below, captured the caring act of deconstruction led by the Silvan Salvage team with a great crew of volunteers led by Kate McIntyre.
The book also served an essential practical purpose for the project. It published the entire catalogue of materials from the home which enabled creatives to see and understand what they could choose to reuse in their Whole House Reuse project.
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Supporters: Creative New Zealand, Sustainable Initiatives Fund Trust, Jamon, Verve Printing, the Buxton family.
Opinion piece: ‘A resilient city is a resourceful city…’
Opinion piece: ‘More haste in demolition, less…’
Statement of Practice: ‘The Resourcefulness of Craft: Whole House Reuse’
Publication of impact from Whole House Reuse
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Juliet Arnott & Emma Johnson (2018) The Journal of Resourcefulness, Vol 1. Rekindle: Ōtautahi Christchurch. https://www.rekindle.org.nz/collections/the-journal-of-resourcefulness
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Journal of Resourcefulness Vol 1.
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Juliet Arnott & Emma Johnson (2018) The Journal of Resourcefulness, Vol 1. Rekindle: Ōtautahi Christchurch. https://www.rekindle.org.nz/collections/the-journal-of-resourcefulness
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Supporters: Creative New Zealand, Sustainable Initiatives Fund Trust, Canterbury Museum, Isaac Theatre Royal, Kilmarnock Enterprises, Christchurch Earthquake Recovery Authority, UC Fine Arts, Jamon, Christchurch City Council, City Gallery Wellington, The Interislander, Conroy Removals, Pics Peanut Butter, Resene, Canterbury Heating, Trubet, PEEEP Trust, Cavell Leitch Law & the Free Theatre, and hundreds of volunteers.
Image: Chris Gardener
Other experience
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2023 - Health Improvement Practitioner, Rolleston Medical Centre, Waikirikiri.
2010 - Occupational Therapist, Founder & Director of Social Enterprise, Rekindle. Ōtautahi.
2019 Case Manager, Community Mental Health Team, Te Whare Mahana Trust. Takaka, Mōhua Golden Bay.
2014 Occupational Therapist, WorkRehab. Ōtautahi. ACC service provision.
2010-2011 Occupational Therapist, Co-motion Occupational Therapy. Tāmaki Makaurau Auckland,
2009-2010 Senior Occupational Therapist, Assessment, Treatment and Rehabilitation Unit, Middlemore Hospital. Ōtāhuhu, Tāmaki Makaurau.
2009 Occupational Therapist & Co-ordinator Chronic Pain Assessment contract, Ramazzini Whakatū Nelson.
2000-2009 Various Senior Locum Occupational Therapy roles in England, Wales & Scotland. Included provision of services within: A&E, medical & surgical wards, community Dementia service, cardiac and respiratory rehab programmes etc.
1999-2000 Team Leader Occupational Therapy, Acute Inpatient Psychiatric Service, HealthLink South Hilmorton. Ōtautahi.
1997-1999 Occupational Therapist, Burwood Hospital. Ōtautahi. Pain Management Centre, and orthopaedics and respiratory services.
1996 Locum Occupational Therapist, Princess Margaret Hospital and Grey Hospital.
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2023 Post-graduate certificate in Occupational Therapy practice with distinction, Otago Polytechnic
2023 Endorsed as advanced Health Improvement Practitioner, Te Pou
1998 Bachelor of Occupational Therapy, Otago Polytechnic
1995 Diploma in Occupational Therapy (Distinction), Otago Polytechnic.
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2017 Distinguished Alumni Award, Otago Polytechnic
2014 Winston Churchill Fellowship for research in Europe focused on community reuse of wood waste
2013 AMP National ‘Do Your Thing’ Scholarship
1995 Joan Walden Cup for all round ability in occupational therapy, School of Occupational Therapy, Otago Polytechnic.